High Lights — Charlotte Adigéry
A fun and weird new song being released on Soulwax’s record label, Deewee.
I totally have 19 spare hours to listen to all this right now.
These 19 newly released files are from the same tour as the 9 that were unveiled a few years ago, so it’s not new new. But I’m listening to the Orlando one right now and there’s enough new stuff going on to justify the £1 per MP3.
This makes me a bit more hopeful that something from their 2016 tour will one day emerge as well. The poster hangs on our living room wall.
The 2019 Formula One World Championship will see two of the most historical brands in motorsport – Sauber and Alfa Romeo – return to circuits across the globe with 2007 World Champion Kimi Räikkönen and the young Italian Antonio Giovinazzi driving for Alfa Romeo Racing, formerly referred to as the Alfa Romeo Sauber F1 Team.
It’s a bit of a shame to see the Sauber name disappear. Even when BMW owned the team they kept Sauber in the name.
Why it’s wrong and perhaps even dangerous to expect “raw data” to be neutral and strictly factual.
How data are construed, recorded, and collected is the result of human decisions — decisions about what exactly to measure, when and where to do so, and by what methods. Inevitably, what gets measured and recorded has an impact on the conclusions that are drawn.
rightclick — Mira Calix
It’s more than ten years since Mira Calix last released music, with her career having taken her in a more multidisciplinary artistic direction. I’ve found her music in the past to be a bit hit-and-miss. But when I heard rightclick I ended up being quite excited for the release of her new EP, utopia.
A useful explanation as to why we can’t return to “a simpler web” that enabled anyone to easily become a publisher.
What we consider a way to express ourselves on the web – our personal web site – is a welcome opportunity for attackers… [I]t can be recruited as a part of a botnet or to store illegal and malicious content for re-distribution.
So, to me, there is no such thing as going back to the good old web where everything was simple. It never was. What we need now to match the siren call of closed garden publishers is making it easier to publish on the web. And to control your data and protect the one of your users. This isn’t a technical problem – it is one of user interfaces, services and tools that make the new complexity of the web manageable.
I’m not sure I fully agree with (or even understand) his proposed way forward. But it’s useful to think about how we can balance the desire to encourage self-publishing with fully robust, secure solutions. The game changed long ago.
Putting into economic terms the distinction between blogging and social media, and articulating what we have lost through the decline of blogging.
If you want attention for your blog you have to earn it through a combination of quality, in the sense that you’re producing something valuable for your readers, and trust, in the sense that you’ve produced enough good stuff over time to establish a good reputation with the fellow bloggers whose links will help grow your audience.
I first realised this about blogging when it became clear that comments sections on major websites were almost always cesspits. People in comments sections are generally attempting to freeride on the quality of the website they are posting on.
Bloggers, on the other hand, really need to be high-quality to get any sort of audience at all. That makes blogs generally good.
Social media is quite the opposite. To start getting traction on social media, the threshold is rather low. In fact, often, lower quality works better.
Link via Khürt Williams