After a decade (yes, a decade!) of BadgerGP.com we’re closing down after the 2018 season.
One of the first — and best — Formula 1 blogs is closing its doors.
In 2010, I was honoured to be asked if I would like to contribute an article to BadgerGP. The outcome was, The Vettel-Webber backlash: Are Red Bull losing their Fizz?
As noted by the F1 Broadcasting Blog on Twitter, it’s a shame to see another independent motorsport website close.
Thanks to Adam Le Feuvre, and everyone involved with F1 Badger and BadgerGP over the years.
A reassuring update from Flickr, following the announcement that free accounts will have their photos deleted. They have now confirmed that photos uploaded under Creative Commons licenses will not be deleted.
Since (I think) I uploaded everything under Creative Commons, this means my photos are safe on Flickr. So this is something.
It’s a dream come true — I’ve finally won HQ Trivia.
…But it was a true team effort thanks to the help of Rebecca, Alex, Louise and Jamie. The drinks are on me… Which leaves me about a tenner out of pocket.
How asking yourself some simple questions can help you detect bullshit statistics.
…A second virtue is that of curiosity, which we might think of as a hunger to know more, coupled with a tolerance for being surprised. Simple questions such as: “I wonder how they know that?”; “Is that better or worse than I might have expected?”; “What exactly do they mean?” often unlock far more insight than narrow technical queries.
Tim Wu wonders why some people say they don’t have any hobbies.
Yes, I know: We are all so very busy. Between work and family and social obligations, where are we supposed to find the time?
But there’s a deeper reason, I’ve come to think, that so many people don’t have hobbies: We’re afraid of being bad at them. Or rather, we are intimidated by the expectation — itself a hallmark of our intensely public, performative age — that we must actually be skilled at what we do in our free time.
It’s a fascinating point, although I’m not sure what I think of it yet. I don’t derive much enjoyment out of being bad at something. Why would I pursue it?
If anything, I probably think the opposite to Tim Wu. There are many people out there struggling away at hobbies, perhaps dreaming big, only to be ultimately frustrated. These people might be better off quitting.
Today it is ten years since the 2008 Brazilian Grand Prix, the most extraordinary championship decider since I started watching Formula 1 in the mid-1990s. Formula 1 have made the full race available on YouTube today.
The race was gripping. The Ferrari team believed they’d won the championship as Felipe Massa crossed the finish line to take race victory in front of his home crowd. Soon after, two corners further back, Lewis Hamilton made a vital pass for 5th, to clinch his first title.
But it’s the post-race events that live strongly in my memory. That year, ITV streamed F1 sessions online. There you could continue watching the raw FOM world feed after ITV’s transmission had finished. This was a novelty, before the days of the BBC’s extended Red Button forum, or the umpteen-hour-long post-race breakdown we now get as routine on Sky.
Felipe Massa’s dignity in defeat was deeply impressive. His conflicted face as the Brazilian national anthem played out on the podium said it all.
Despair at having lost his best chance to become champion. Pride at having done the best job he could.
Up to that year, Massa was a bit of a joke driver. Not since then.
The Visitation — White Noise
White Noise was formed by David Vorhaus, Delia Derbyshire and Brian Hodgson. The latter two were pioneers of the BBC Radiophonic Workshop, the facilities of which were covertly used for a couple of the tracks on their album An Electric Storm.
(For the uninitiated, Delia Derbyshire is best known for the original realisation of the Doctor Who theme tune, among many other revolutionary electronic compositions. Brian Hodgson made many sound effects for Doctor Who, including the sound of the Tardis.)
An Electric Storm was released in 1969. It somehow sounds both mind-bogglingly ahead of its time, while also being distinctly of its time.
White Noise didn’t have a studio, so they had to develop their own makeshift equipment by connecting tape machines together with basic electronics. An Electric Storm was made before Robert Moog developed his modular synthesiser.
Synthesisers were about to democratise the creation of electronic music. But they also made it less of a craft. Painstaking effort and skill were required for the tape manipulation techniques that created the otherworldly sounds pioneered by the BBC Radiophonic Workshop and their peers. It became a lost art.
According to the liner notes on the 2007 CD reissue of An Electric Storm that I own, David Vorhaus was originally intent on releasing a single. The head of Island Records told him to make an album instead, giving him the £3,000 he said a hit single would be worth.
This track, The Visitation, took three months to complete alone. When Island Records enquired as to the whereabouts of the album they had paid for, White Noise were forced to complete it overnight by improvising drums over tape loops and other noises. Even that track sounds almost unbelievably ahead of its time.
But upon release, the album sold just 200 copies. The world wasn’t ready for electronic music. But An Electric Storm is the definition of a cult slow burner. And it was highly influential on the more commercially successful electronic musicians of the 1970s and onwards. Not that many of them pressed ahead with the tape manipulation techniques.
About a third of 18- to 49-year-olds (32%) correctly identified all five of the factual statements as factual, compared with two-in-ten among those ages 50 and older. A similar pattern emerges for the opinion statements. Among 18- to 49-year-olds, 44% correctly identified all five opinion statements as opinions, compared with 26% among those ages 50 and older.
I find this a bit weird, because knowing a fact from an opinion is quite a basic and fundamental concept that was drilled into us at school. Perhaps older generations were not taught this. That would certainly explain a few things.
“Having a car that doesn’t work well at high altitude doesn’t make much sense” — Stephen.
A fascinating long article on the BBC Domesday Project from 1986. This huge project celebrated the 900th anniversary of the Domesday book, with an ambitious modern-day take on documenting all of Britain.
The technology was so unique that became obsolete almost immediately. It required a special LaserDisc player connected to a BBC Master computer with a special controller. The price tag put it out of reach of almost everyone, even schools and libraries.
It’s a prime example of the challenges of digital preservation.
Moreover, copyright issues — as well as the sheer volume of content — have raised questions over whether some the content could ever be used again. It is certainly difficult to replicate the original experience (although a few YouTube videos give a flavour).
This article goes into some of the thinking behind the technology decisions, and makes a valiant case that the Domesday Project is not a failure, as some like to think of it.
Given that last weekend’s US Grand Prix was the last prime-time race to be broadcast live on free-to-air TV (until at least 2024), Formula 1 is unlikely to see a peak audience like this again in the UK.
FAQ sections are derided by most content designers, myself included. But (as usual) it is not necessarily the format itself that’s the problem. Normally, the real problem is bad implementation.
This piece by Caroline Roberts makes a provocative case in favour of FAQs, by comparing them with advice columns.
The FAQ structure has held up for so long because it is a brilliant pattern. Think the Socratic method. Or the catechism. Or Usenet. Or “FAQs about FAQs.” Or — you guessed it — “Dear Prudence,” “Dear Sugar,” or any other popular advice column. Users will always have questions, and they will always want answers.
What makes FAQs troublesome is incorrect or lazy use. Lisa Wright has already shared what not to do, but perhaps the best way to start an FAQ is to choose each question with great care. For example, advice columnists spend plenty of time selecting what questions they will answer each week.
This article by James Cridland lays bare just how widespread the gaming of Apple’s podcasts chart is.
I have heard presenters pleading with their listeners to unsubscribe, then resubscribe to help improve their position in the chart. Apparently it works.
What I don’t understand is why Apple let this happen? I’m sure it’s not an easy problem to fix. But it surely can’t be as hard as penalising dodgy SEO tactics or email spam filters. What’s in it for Apple?
Will Gompertz explains what makes Banksy’s latest stunt a good work of art.
“At first I was shocked,” said the winning bidder and proud owner having decided to keep the work, “but I realised I would end up with my own piece of art history.”
All the more interesting considering the fact that it now transpires that the shredding didn’t exactly go to plan.
Jonathan Calder considers the decline of the Liberal Democrats in Adur:
Checking the relevant page on Wikipedia I find that, remarkably, the Alliance and then the Liberal Democrats had uninterrupted control of Adur between 1980 and 1999.
But something went terribly wrong after that. Today there are no Lib Dem councillors on Adur and a council by-election there this evening has no Lib Dem candidate.
He suggests that churn happens to areas as well as individual voters.
[A] focus on information processing, reaction, and execution — while it may feel productive — causes the quality of our thoughts to suffer. We believe that corporate leaders in today’s complex world urgently need to recultivate the art of reflection.
In an increasingly busy and complex world, how do we make sure we have the space to think reflectively? It’s the classic notion of having your best ideas in the shower.
I think this is part of the reason why I feel a benefit from walking so much — about two hours most days. This gives me the unstructured thinking space this article argues for.
On a recent cycle, I found my thoughts subconsciously drifting towards a knotty work problem. For a few seconds, everything seemed crystal clear. “I’ll remember that later,” I thought, and on I went with my cycle. When it came to it, it took some time and effort to recall what seemed so obvious when I was cycling with my wandering thoughts.
I do think that they went through a period of just not being confident enough. Impartial journalism is not giving equal airtime to two people one of whom says the world is flat and the other one says the world is round. That is not balanced, impartial journalism.
It is often said (including by me) that if you are accusing the BBC of bias, it is probably because you are losing the argument.
But Robert Peston is not the first to make this point, that the BBC is giving equal platforms to viewpoints with very unequal merits.
It’s getting difficult to disagree that this is currently a major problem for the BBC. It is particularly acute on particular programmes, such as the Today programme, which is more interested in generating heat than light.
More on the need for (UX) designers to consider ethics in everything they do.
I urge you to consider your own design priorities and choices in the same way that responsible physicians do when they take the Hippocratic Oath, saying “first, do no harm.” So, I ask the UX community at large: what is an equivalent code of ethics for our discipline?
Jordan Novet wonders why Google hasn’t updated storage limits for years.
One reason [Gmail] was revolutionary was its gigabyte of free storage space — the idea being that you wouldn’t have to constantly be deleting email in order to keep things going.
But today, I’m in a jam. I’ve run out of space across Gmail, the Google Drive storage service and the Google Photos app.
It’s a problem I felt, until I started compressing photos in Google Photos (and I haven’t genuinely noticed a downside of compressing them).
Once upon a time it felt like storage would never be an issue. Charles Arthur noted that perhaps the world is running out of storage. “Wouldn’t that be a thing? No room left on the internet.”
On the tendency of security approaches to rely on somehow educating users on this complex problem.
I’ve read dozens of studies about how to get people to pay attention to security warnings. We can tweak their wording, highlight them in red, and jiggle them on the screen, but nothing works because users know the warnings are invariably meaningless. They don’t see “the certificate has expired; are you sure you want to go to this webpage?” They see, “I’m an annoying message preventing you from reading a webpage. Click here to get rid of me.”…
We must stop trying to fix the user to achieve security. We’ll never get there, and research toward those goals just obscures the real problems. Usable security does not mean “getting people to do what we want.” It means creating security that works, given (or despite) what people do.
The same could be said for usability of any kind — but it seems especially vital in this case.
I’d read about concerns that some drivers were somehow exploiting some kind of loophole in the rules surrounding the virtual safety car (VSC), but I never understood what that loophole was. But this from Keith Collantine and Dieter Rencken is a crystal-clear explanation of what was going on when Sergio Pérez gained two seconds on Romain Grosjean during a virtual safety car period.
It seems far from ideal that this is able to happen. Especially if drivers are beginning to focus on pre-empting when the VSC period might end, rather than on driving safely, at a time when the racetrack is meant to be neutralised.
YouGov asked people to rate how positive and negative certain expressions are.
Warning: Contains pretty charts.
As it turns out, “good” and “bad” are not exactly mirrors of one another on the scale. Bad has an average score of 2.60, meaning its mirror equivalent on the scale ought to score 7.40. “Good”, by contrast, scores a 6.92.
This situation remains the case for the other examples where “good” and “bad” are used: “pretty good”, “really good” and “very good” are seen less positively than they should be to truly mirror “pretty bad”, “really bad” and “very bad”.
The radio institution celebrates its 70th birthday today. I enjoyed this history of the programme from Andy Walmsley.
I had no idea that Any Questions? was originally developed as a stop-gap to fill a hole in a regional schedule. From its beginnings on the West of England Home Service, within two years it was being regularly broadcast nationwide — first on the Home Service, but quickly also on the Light Programme.
Within quite a short time, sixteen million people were regularly listening to the programme. Frank Gillard had got his mass audience.
(Despite its appeal to the masses, it’s difficult to imagine a programme like this on the modern-day Radio 2.)
It seems that the programme has changed little in its 70 years, which is an extraordinary feat of longevity. Not only that, its carbon copy TV version, Question Time, appears as popular as ever. I can’t really stand to listen to or watch either of them.
The story of a utopian attempt to introduce a universal pictographic writing system, Blissymbolics.
It is a noble but unrealistic idea that seems typically mid-century, and it’s unimaginable that it would fly today. Not that Blissymbolics flew either. It reminds me of Esperanto.
Even in this brief article that contains a few examples of Blissymbolics, many of the explanations seem rather tenuous. My favourite is stick (“linear thing + tree”). Or perhaps branch, which is a division symbol next to the tree symbol (“part (of) + tree”).
I also wonder how skewed by western culture Blissymbolics is, and if it could genuinely be said to be universal.
The Spell of a Vanishing Loveliness — Cornelius
New Cornelius albums are few and far between. In fact, he has released just four albums in the past 21 years. But when one comes, it is always one of the highlights of the year. He is one of the most distinctive and innovative artists going.
I have just listened to his latest album, Mellow Waves. This song isn’t the most sonically interesting on the album — but it is probably the best. It’s the only song on the album to feature mainly English lyrics, written and sung by Miki Berenyi, who was the singer in Lush.
More on the hard work designers need to do to ensure they have a positive impact on society.
To create a platform designed to connect millions of people and not imagine its potential misuses is wilful blindness. When we imagine and design and build tools and technologies and platforms and services it’s as important, perhaps more important to ask ‘how might this be misused’ as it is to ask ‘how might this be used’.
How bad software design decisions can have a more devastating impact than bad policies.
At a time when Silicon Valley and the larger public are waking up to the government’s reliance on software to carry out its agenda, it’s more important than ever for tech workers to be thoughtful about how they can be a force for good.
A good list of don’ts when you’re trying to set up an effective user experience function.
In particular, the pitfalls of “cargo cult usability” could do with being more widely understood. But I also enjoyed this point about being too insular.
Newly formed UX teams have a tendency to quickly turn inwards and focus heavily on their own practices, tools and methods: heads down, working in a vacuum, doing great work that doesn’t actually influence anything. As a result, we hear frustrated stakeholders say things like: “I don’t involve the UX team because they always seem too busy”. We’ve even heard UX team members themselves complain that, “We’re so busy and so mired in the day-to-day that we don’t have time to work alongside the development team.”
This reminds me of the (hilarious but true) story of the Staffordshire UK bus company. In 1976 it was reported that the buses on the Hanley to Bagnall route were not stopping to pick up passengers. People complained that buses would drive right by long lines of waiting passengers. The complaints prompted Councillor Arthur Cholerton to make transport history by stating that if the buses stopped to pick up passengers it would disrupt the timetable!
How to measure levels of populism, and how that cuts across traditional measures of economic left/right and liberal/authoritarian sentiment.
Populist sentiments are more common on the left than the right of the economic dimension, and authoritarians are more likely to be populist than liberals but the patterns are complex…
The Labour party win a clear majority of the votes of those on the ‘liberal’ and ‘centre’ left. But their vote share is lower among the ‘authoritarian’ left than it is among the centre liberal position. In fact, the Conservatives gained greater share of the left-authoritarians (regardless of populist sentiment).
Despite the many management changes over recent years, this might be peak McLaren. Rumour has it that McLaren’s odd allocation of tyres for the Japanese Grand Prix is down to the fact that it forgot to submit its choice to Pirelli in time. Gil de Ferran insists that it was a deliberate decision, even though it’s clearly wrong. Wut? 🤔
I had no idea that this was the first time a safety car was used during a Formula 1 race. It puts some modern controversies around race results into perspective!
When did Formula 1 first use the safety car? If your answer revolves around an introduction during the middle of the 1992 season, and first used in the Brazilian round early in ’93, then you’re wrong.
And we’re not even referring to the F1 statisticians’ favourite anomaly that the Indianapolis 500 was – for a time – part of the world championship. There was one occasion before its modern-day introduction that the safety car, or pace car as it was known, was employed. The 1973 Canadian Grand Prix, 45 years ago. And given the experience, it’s little wonder the concept was then dropped for near enough two decades.