It’s great to see this clip of Henry Hope-Frost on You Bet.

He may have thought then that his obscure knowledge would be of absolutely no use. But it certainly came in handy when he later became one of the top motorsport journalists.

There aren’t nearly enough clips of You Bet on YouTube. I remember one contestant who was able to tell a piece of music that was being played backwards just by seeing a candle flickering in front of the speaker.

It’s extraordinary to think that this kind of geeky talent passed for Saturday night ITV entertainment in the 1990s.

Henry Hope-Frost’s untimely death traveling home from the job he loved earlier this month was tragic. This clip is a demonstration of pure fever.


The tools matter and the tools don’t matter

It is easy to sneer at a question about what brand of pen to use, or whether you should use a pencil or a typewriter.

But in this piece, Austin Kleon argues that different tools can help you “get you to a certain way of working in which you can get your conscious, mechanical mind out of the way” to enable creativity.

…handwriting is great for coming up with ideas, for note-taking and big picture thinking…

Typing, on the other hand, is great for producing writing for other people… There’s a thing called “transcription fluency,” which boils down to: “when your fingers can’t move as fast as your thoughts, your ideas suffer.”


1/1 — Brian Eno

Ambient 1 / Music for Airports is 40 years old this month.

1/1 artwork

It is spurious to claim that Brian Eno invented ambient music. Erik Satie’s furniture music deserves mention. Eno himself recognised the role of Muzak.

Music for Airports is not even Eno’s first ambient album, despite its Ambient 1 moniker. But it certainly is the most important.

Music for Airports is both experimental and timeless. Bold yet gentle. You can consciously listen to it. But it may also affect your mood without you consciously being aware of it. Or in the words of Eno, “it must be as ignorable as it is interesting.”

It was a genuinely new idea. It introduced the notion of designing music for a specific purpose, yet was still packaged as a pop album. A stunning concept.

But how would we feel if music like this was played in an airport? Would it be a calming influence? Or would it grate like Muzak?


Liminal thinking

A powerful explanation of how beliefs are formed, and what little resemblance they have to reality.

Your beliefs form the fundamental model that you use to navigate the world, to think about things, to decide what to do and what to avoid, like a map. We form a lot of these beliefs by middle childhood.

And since you’re the one who built the map, it’s natural to believe that it corresponds to the territory that you are navigating. After all, most of the time, your map gets you where you want to go. So much so that when the map doesn’t get you where you want to go, the first thing you question is not the map but reality.


Bertrand Russell’s chicken (and why it was not an economist)

How introspection can lead to greater understanding — and how it may not.

The chicken that is fed by the farmer each morning may well have a theory that it will always be fed each morning – it becomes a ‘law’. And it works every day, until the day the chicken is instead slaughtered.

…Economics is at a disadvantage compared to the physical sciences because we cannot do so many types of experiments (although we are doing more and more), but we have another source of evidence: introspection… why is the farmer doing this? What is in it for him? If I was the farmer, why would I do this? And of course trying to answer that question might have led them to the unfortunate truth.


Of software designers and broken combs

An interesting way of thinking about skills development that I hadn’t heard of before. Conventional wisdom suggests aiming for a T shaped distribution of skills — (the horizontal bar representing shallow skills across many disciplines; the vertical bar representing deep understanding of one discipline).

The broken comb model suggests developing a moderately deep understanding across many disciplines.

With certain exceptions, organizations with many T-shaped people may have difficulty keeping all of those T-shaped people busy. If the base of my T is icon design, but there are no icons available to design, I am either stuck twiddling my thumbs, or doing something I’m much less good at.


Escaping Twitter’s self-consciousness machine

On how the experience of using Twitter is transformed by removing all metrics from the interface.

The article makes a good point about why platforms like Twitter place so much emphasis on numbers:

The type of person who tends to be a high-level coder at a top tech firm… usually got great grades, attended a premier university, and now competes for bragging rights by trying to log the longest hours of anyone at the office. These people thrive in numbers-focussed environments. Perhaps it’s predestined that their world view would infect the user interfaces they create.

It is tempting to think our obsession with metrics is part of human nature. But is it just a trait of a particular type of person?


There are certain things you’re not allowed to say these days. Well it is time to put an end to all this political correctness. People have been frightened to speak openly. We should call a spade a spade.

Liberal Democrat leader Vince Cable is telling it like it is:

70% of over 65s voted for Brexit.

Too many were driven by a nostalgia for a world where passports were blue, faces were white, and the map was coloured imperial pink.

He is only saying what we’re all thinking.

Update: I see some snowflakes are upset about it.


Design’s lost generation

As usual with Mike Monteiro, I don’t agree with everything he says (or the way he says it). But this is a seriously thought-provoking article on the failure of a generation of designers.

I am part of design’s last generation. I’ve fucked up. We all have. None of us did enough. Maybe the tide was too strong, or maybe we were too weak. But as I look behind me I see the hope of a new generation. They’re asking better questions, at a younger age, than we ever did. And I truly hope they do better than us because the stakes have never been higher.


Birmingham Superprix

Retracing the Birmingham Superprix

Looking back on the street race that ran in Britain’s second largest city for a few years in the 1980s. It is almost unimaginable today, and going by the weary comments from the business owner whose building was used as the pitlane, you can see why it didn’t last.


Reclaiming my blog as my thought space

Dries Buytaert on reclaiming his blog. It’s just the latest of many blog posts I have read recently from people keen to share more personal content on their own websites.

My blog is primarily read by technology professionals — from Drupal users and developers, to industry analysts and technology leaders — and in my mind, they do not read my blog to learn about a wider range of topics. I’m conflicted because I would like my l blog to reflect both my personal and professional interests.

This is a struggle I well recognise. When Twitter was born, those more personal snippets moved to social media. Bloggers felt the need to become more professional and write more polished, fully-fleshed articles.

But Twitter (and other social media services) no longer fill that gap the way they used to. The most viable answer is to go back to the good old days of more personal blogging.


OK — Micachu and the Shapes

I have been shamefully late to discover Mica Levi, and Micachu and the Shapes. This is a track from the band’s 2012 album Never. It contains a lyric that made me laugh out loud, which doesn’t happen very often.


My original iPod is a time capsule from 2002

What happened when one person started up his iPod for the first time in 15 years.

…I also came across music and artists which made me wonder what on earth I was thinking of when I loaded their tracks into iTunes. If I could talk to my 2002 self, I would sit him down and explain that Limp Bizkit’s album Chocolate Starfish and the Hot Dog Flavored Water is an abomination and not at all funny (my London music buddies and I thought it was hilarious at the time)…

…looking back through the playlists on my first and oldest iPod I was struck by the fact that some of the music from 2001 and 2002 seemed far more dated than some of the ’70s, ’80s, and ’90s.

I certainly have a memory of music from 2001/2002. In fact, because of my age, it is precisely when a lot of my favourite music was released. But I do wonder what I would discover if I found my iTunes library from that period, warts and all?


How liberals amped up a Parkland shooting conspiracy theory

Conspiracy theorists purported that young anti-gun activists are crisis actors. It turns out that those outraged about the theory did more to promote it that the theorists themselves.

Frank Luntz… tweeted in protest of the Gateway Pundit story, becoming one of four non-right-wing amplifiers of the story with verified accounts… The other three are the New York Times’ Nick Confessore, MSNBC producer Kyle Griffin, and former first daughter Chelsea Clinton. Each of them quote-tweeted the Gateway Pundit story to denounce it, but in doing so gave it more amplification.

This is what I meant when I said don’t feed the trolls.

There is a class of professional conversationalists who have realised how this works and have taken advantage. These people express outrageous and offensive opinions specifically because it is a super-efficient way for them to get the publicity they need.

A dangerous man became US president because he understood this, and millions of his opponents didn’t.

The next time someone says controversial, ask yourself why, rise above it, deny them the publicity and move on.


The 9 rules of design research

One of the hardest things about design or user research is convincing people that it actually needs to take place. That is especially maddening when working for an research organisation.

(Researchers themselves are sometimes the most reluctant to undertake user research before spending serious amounts of money on ineffective websites.)

So this snippet, among a series of useful rules of thumb, made me cheer. 🙌

If you’ve ever worked with a leader who was resistant to doing qualitative research as part of a million dollar project, ask yourself whether they would skip doing their own research before buying a $50,000 car.

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A few notes on daily blogging

A striking article, partly because I find it slightly eerie that the author chose to start blogging daily on 1 October, the same day I started blogging again.

I haven’t quite managed to blog on a daily basis. Although I do publish something at least once a day, I tend to write multiple posts at a time and schedule them for future publication.

(As an example, I’m writing this on Wednesday 28 February, in the expectation that I will publish it on Tuesday 6 March.)

As a result, I’m not sure I have benefited yet from resuming my regular blogging. Perhaps I will endeavour to carve out some time each day to write something.


Design, system

Ethan Marcotte on the “delicate act” of working with a design system. It’s the same challenge facing anyone working with a hub and spoke structure.

How do you balance a drive to standardise designs (or business processes, or policies, or whatever), against the often legitimate requirement to meet unique local needs?

It’s easy for an organization to look at that one-off pattern as a problem of compliance, of not following the established rules. And in many cases, that might be true! But it’s also worth recognizing when a variation’s teaching you a lesson: namely, that your design system isn’t meeting the needs of the people who’re using it.


What colour is a tennis ball?

It’s the dress part two!

I make this decision as much on the basis of what I think I know about tennis balls—that they are yellow—as I do on what color I recall that they looked when I last saw one… In other words, like the color of a lot of objects, how we label [a tennis ball] is determined both by perceptual and cognitive factors: the actual physical light entering your eye and … knowledge about what people have typically labeled the objects.

I have to say, it never occurred to me that a tennis ball might be any colour other than yellow.


In — Brothomstates

This is the opening track from the 2001 album Claro by Brothomstates. That was a special purchase for me, because it was the first IDM album I bought. I already knew I liked this sort of music because I was exploring what I could with whatever clips of tracks I could find online. But Claro was the first full album of this genre that I had heard. This was opening up a new world of sonic possibility to me, and I never looked back.

Wintry weather brings this album to mind. I have vivid memories of walking around my home town of Kirkcaldy in icy weather while listening to Claro on a Discman.

In particular, this opening track, In, epitomises the chilly vibe. The piercing synthesised staccato whistles may as well be icicles falling from the sky.

When thinking of what jam to feature this week, as the Beast from the East descended on the UK, I could make no other choice.


If Google wanted to get found in Google

If you ever have to say you’re simple, you’re not. Because if you were truly simple then you wouldn’t have to waste time telling people you are. You’d just be simple. Only those with complexity syndrome feel the need to explain that they are simple. The more you have to write about how to use your product or service, the more you have failed as a designer.


Shuffle mode has just reminded me of the time Richard D James (best known as Aphex Twin), using the pseudonym DJ Smojphace, opened for Björk at the Hammersmith Apollo in 2003.

From the YouTube video description:

For almost 2 hours Richard played nothing but “noise and feedback” from the backstage, only appearing in stage to cheerily wave goodbye in front of a very, very pissed audience.

Listen to the booing! Delightfully funny.


The big problem with change programmes

An intriguing connection between modern human narcissism and corporate change programmes. Did they both start in the same place?

Far from pursuing some unrealistic dream, perhaps we’d be much happier if we learned to live with our imperfections, neuroses and human frailties…

Maybe we need to accept that not all problems are there to be fixed. That our organisations are flawed. They always have been and always will be.


Inside Facebook’s hellish two years — and Mark Zuckerberg’s struggle to fix it all

A very lengthy, but entertaining and informative, read about how everything went wrong for Facebook in the past two years, and why it is a mess of their own making.

While Facebook grappled internally with what it was becoming—a company that dominated media but didn’t want to be a media company—Donald Trump’s presidential campaign staff faced no such confusion. To them Facebook’s use was obvious. Twitter was a tool for communicating directly with supporters and yelling at the media. Facebook was the way to run the most effective direct-­marketing political operation in history.


Bittersweet Bundle of Misery — Graham Coxon

Bittersweet Bundle of Misery — Graham Coxon

This song is a little bit too close to Coffee & TV for comfort. But after having left Blur, perhaps Graham Coxon wanted his own version of his own song, which I guess is fair enough.

Looking back, this song almost seems like a last gasp of the Britpop sensibility — an unashamedly, straightforwardly good pop song.