Light The Way — Africa Hitech
It’s no wonder newspaper websites are in trouble. Their latest scheme is to “lock” content by turning it into squiggles unless you watch at least 6 seconds of an advert. Needless to say, this is a horrible experience, and only makes it all the more likely that I’ll turn away from certain websites.
I’m afraid to say that I know I’m going to have a dreadful time any time I try to read anything on the Scotsman or any other Johnston Press website. Every time, I am bombarded with a cacophony of offensive adverts, which grind my computer to a halt. And when they deign to show me the content I came for, more often than not it’s badly written, and clearly a rush-job by a stressed-out writer being made to churn out any old crap in the name of volume.
Why would I bother following a link to the Scotsman website again?
Only Google could think to provide a weather forecast in kelvin. Beautiful.
From tomorrow, Facebook will stop allowing automated posts to personal Facebook profiles. Dodgy ads, fake news and inflammatory content are all still allowed of course. But that’s how Facebook make their money. So normal people’s automated updates is what they’re clamping down on.
As a result, updates from my blog have stopped appearing on my Facebook profile.
In the words of an email WordPress.com have sent out about this:
We believe that eliminating cross-posting from WordPress is another step back in Facebook’s support of the open web, especially since it affects people’s ability to interact with their network (unless they’re willing to pay for visibility).
Funny that. 🤔
So if you would like to stay up to date with me on Facebook, I have now set up a page for my website — where it will still be possible for the updates to be pushed out to Facebook.
However, I would encourage you to stay up to date another way. I don’t push everything out to Facebook. So the only way to be updated on everything I post is to subscribe to the RSS feed or email notifications.
Since this was pretty much all I used Facebook for by now, my Facebook profile will probably become very quiet.
This wonderful reinterpretation of Tilapia by Autechre appeared on Warp20, a box set celebrating the 20th anniversary of Warp Records. (Rather scarily, that occasion was itself almost 10 years ago.)
There were two CDs of Warp artists covering classic Warp tracks, and a lot of them are really good. But John Callaghan’s effort towers above everything else on it.
It probably takes a lot of guts to attempt to cover Autechre, never mind a track as strong as Tilapia. But Phylactery boldly reinvents it, and possibly ends up being even better than the original (although as John Callaghan says in the comments to this YouTube video, both have their place, for different reasons).
In case you’re not aware of the original, here you go:
The possibility seems remote for the time being. But it did instantly tickle a part of my brain. If Räikkönen were to go to McLaren next year, then for whatever reason decide to end his career at Sauber, he would have a palindromic career. In other words, he will have worked his way back through each of the teams he has driven for, in reverse order.
The F1 teams he has driven for in order are:
Has any driver actually done this before?
It was a delight to listen to Adam Buxton’s recent podcast interview with Eleanor Friedberger, half of the Fiery Furnaces (with her brother Matthew) and now a solo artist.
The Fiery Furnaces are one of my favourite bands. Their quirky and decidedly different music was actually quite important to me as I struggled my way through university.
Despite that, I’m don’t think I have ever heard an interview with either of the Friedbergers. I don’t often seek out interviews with musicians because (with a few exceptions) it is often disappointing — a topic touched on in the podcast. So I found it quite strange to learn new things about the Fiery Furnaces, whose music I know so well to listen to, but whose story (I have suddenly realised) I don’t know too much about.
This is one of my favourite Fiery Furnaces songs. Unfortunately for some reason the music in this video is really glitchy, but the visuals are awesome.
Lots of people think Google’s new AI-powered phone calls are creepy. I don’t quite follow this. Big companies have been making normal people speak to robots for decades. This isn’t a new concept. The difference is that this gives ordinary people the opportunity to do to big companies what big companies have been doing to them all along.
They say a song is like a fart — if you have to force it out, it’s probably shit. So when a band leaves a gap of 11 years between albums, it means one of two things:
When Portishead’s Third came out, there wasn’t much indication that option 2 would be on the table. In the words of Armando Iannucci, the second album by Portishead had nothing new to say.
Portishead were pioneers of trip-hop, but by 2008 it had become a cliched genre.
But Portishead avoided all those traps with their third album, which is actually probably their best. It conspicuously avoided the now-cheesy trip-hop tropes. It was a new sound, but still unmistakably Portishead.
The album was released 10 years ago today. There is no indication of when their fourth album will arrive. But we are still ahead of schedule by Portishead’s standards.
It is 20 years to the day since Boards of Canada released Music Has the Right to Children.
Seminal is a word that is bandied around easily when talking about music. But it may be genuinely applicable in this case. Simon Reynolds in Pitchfork notes how the album seemed to kick-start a transformation in electronic music.
Before this point, electronic music was unashamedly futuristic. Boards of Canada set the template for a nostalgic yet dark genre known as hauntology, since explored further by the Ghost Box label among others.
The album’s cover, featuring a weathered, decades-old family photograph with each person’s facial features redacted, sets the scene. Following a short introductory track, Music Has the Right to Children introduces the listener to the Boards of Canada sound in uncompromising fashion, with An Eagle in Your Mind.
A wistful drone slowly evolves into a darker, brooding melody. Crunchy, syncopated beats and glitching speech samples then take precedence, while narration from a nature documentary subliminally slips beneath. Things get psychedelic, before an unpredictable abstract hip-hop vibe takes over. A childlike melody discordantly tinkles on top, hammering home the sense that something has gone horribly wrong.
Tortoise’s most recent original music may not be as good as their material from the 1990s. But they have developed a knack for producing some excellent cover versions. This cover of Rock On is the highlight of their most recent album, The Catastrophist.
Today is Piano Day. I am in favour of this. The piano is the best instrument. 🎹
The clip above is of every recording of Erik Satie’s Gymnopédie № 1, put together by an artist called Hey Exit. Each recording is timestretched to the length of the longest one, and they are placed on top of each other. It’s a brilliant idea, with a truly ethereal sound.
It’s great to see this clip of Henry Hope-Frost on You Bet.
He may have thought then that his obscure knowledge would be of absolutely no use. But it certainly came in handy when he later became one of the top motorsport journalists.
There aren’t nearly enough clips of You Bet on YouTube. I remember one contestant who was able to tell a piece of music that was being played backwards just by seeing a candle flickering in front of the speaker.
It’s extraordinary to think that this kind of geeky talent passed for Saturday night ITV entertainment in the 1990s.
Henry Hope-Frost’s untimely death traveling home from the job he loved earlier this month was tragic. This clip is a demonstration of pure fever.
Ambient 1 / Music for Airports is 40 years old this month.
It is spurious to claim that Brian Eno invented ambient music. Erik Satie’s furniture music deserves mention. Eno himself recognised the role of Muzak.
Music for Airports is not even Eno’s first ambient album, despite its Ambient 1 moniker. But it certainly is the most important.
Music for Airports is both experimental and timeless. Bold yet gentle. You can consciously listen to it. But it may also affect your mood without you consciously being aware of it. Or in the words of Eno, “it must be as ignorable as it is interesting.”
It was a genuinely new idea. It introduced the notion of designing music for a specific purpose, yet was still packaged as a pop album. A stunning concept.
But how would we feel if music like this was played in an airport? Would it be a calming influence? Or would it grate like Muzak?
There are certain things you’re not allowed to say these days. Well it is time to put an end to all this political correctness. People have been frightened to speak openly. We should call a spade a spade.
70% of over 65s voted for Brexit.
Too many were driven by a nostalgia for a world where passports were blue, faces were white, and the map was coloured imperial pink.
He is only saying what we’re all thinking.
I have been shamefully late to discover Mica Levi, and Micachu and the Shapes. This is a track from the band’s 2012 album Never. It contains a lyric that made me laugh out loud, which doesn’t happen very often.
YouGov have released an interesting study on where people draw the boundary between youth, middle age and old age.
As a grumpy millennial, I couldn’t help but notice that a certain generation’s attitude on where old age begins appears to be selective.
This is the opening track from the 2001 album Claro by Brothomstates. That was a special purchase for me, because it was the first IDM album I bought. I already knew I liked this sort of music because I was exploring what I could with whatever clips of tracks I could find online. But Claro was the first full album of this genre that I had heard. This was opening up a new world of sonic possibility to me, and I never looked back.
Wintry weather brings this album to mind. I have vivid memories of walking around my home town of Kirkcaldy in icy weather while listening to Claro on a Discman.
In particular, this opening track, In, epitomises the chilly vibe. The piercing synthesised staccato whistles may as well be icicles falling from the sky.
When thinking of what jam to feature this week, as the Beast from the East descended on the UK, I could make no other choice.
Shuffle mode has just reminded me of the time Richard D James (best known as Aphex Twin), using the pseudonym DJ Smojphace, opened for Björk at the Hammersmith Apollo in 2003.
From the YouTube video description:
For almost 2 hours Richard played nothing but “noise and feedback” from the backstage, only appearing in stage to cheerily wave goodbye in front of a very, very pissed audience.
Listen to the booing! Delightfully funny.
This song is a little bit too close to Coffee & TV for comfort. But after having left Blur, perhaps Graham Coxon wanted his own version of his own song, which I guess is fair enough.
Looking back, this song almost seems like a last gasp of the Britpop sensibility — an unashamedly, straightforwardly good pop song.
If brutalism was a genre of music, is this what it would sound like?
When a band you like releases a new album and it’s really good then count it up.
A delicious slice of minimal techno. Perfect for a chilly night time walk through the city.
Virgin Media have sent an email suggesting ‘safe’ passwords for people to use.
…They’re not much harder any more. 🤦♂️
The Lightning Seeds were one of the first bands I really liked. They don’t seem to have as much indie-cred as I think they deserve. Maybe that’s what happens when your biggest hit is a football anthem.
Sense is a little bit before my time, but I still think it’s one of their finest songs.
A lot of bands I liked wilted somewhat after Radiohead released Kid A. Not Massive Attack. 100th Window may not be their most admired album. But I thought it was one of the few that successfully met the Kid A challenge.
Gone were the trademark trip-hop beats that made them so successful in the 90s. In came a more clinical, experimental electronica sound. It switched some people off, but I think elements of this album are superb. It was an impressive reinvention, but it was also still unmistakably Massive Attack.
There may be no real science behind the concept of Blue Monday. But there is definitely something strange about mornings in January.
I always go back to work as soon as possible after the new year. On my morning walk to work, the streets are dark unlike any other time of year, and eerily quiet.
It’s now a new year tradition of mine to spend my first morning walk of each week listening to Blue Jam. Chris Morris’s peerless radio programme of the late 1990s mixed dark comedy with downtempo music. It was originally broadcast on BBC Radio 1 in the small hours of the morning, maximising its unsettling vibe.
That vibe seems to suit these weird, dark Mondays in January.
I used to think I got my proggy tendencies from my dad. However, he was recently dismayed to learn that I like Yes, who he says are too noodly. I guess I developed an excellent taste in music all by myself.
Every Friday evening I’m going to post a tune that I’m digging right now. Because why not?
I’d never taken notice of Soulwax before. But after reading a review of their latest album From Deewee in an end-of-year list, I decided to check it out on YouTube.
Wow! The motorik beat grabbed me; the climactic melody hooked me. I have become obsessed with this tune.
The album, supposedly recorded in one take, is also magnificent. This is bold, uncompromising electronic music that
commands attention. It continually surprises without being pretentious.
Twice this year I have been sent customer feedback surveys before I have even received the items, because they were delayed so badly. Arse, meet elbow. If you're interested, the guilty parties are Specsavers (my glasses took 6 weeks to arrive) and Currys PC World (I'm still waiting on my new Chromebook).
Many of the podcasts I listen to are currently running ads from Bose imploring me to buy their headphones "to enjoy podcasts in even better sound quality". I have to say, when listening to a heavily compressed MP3 that has usually been recorded in a spare room by a semi-professional using budget domestic microphones, with…
It's worth reading the full transcript of Lewis Hamilton's press conference following his championship victory on Sunday (scroll down to about halfway down the page to see "Questions to Lewis Hamilton"). As noted by Andrew Benson, his answers are long, in-depth, and provide an interesting insight into the mindset that has seen him step up…
It's always great to hear new music from the Focus Group. Stop-Motion Happening has more wronged-up sound collages of mis-remembered pasts. Here's a clip.
Everyone on Twitter is changing their names to be Halloween themed. This is the best I can come up with.
Until 1935, Disney had the monopoly on technicolor. Other studios, like Fleischer and Iwerks, settled for a two-color system. pic.twitter.com/ImfNHNovFI— Chappell👻Ellison (@ChappellTracker) October 11, 2017 In fairness, those screenshots don't look too different to many films these days.
It's great to see Iain Lee winning a big radio award for best (non-breakfast) speech presenter. I've written before about how brilliant Iain Lee's radio work is. His TalkRadio show is, by some margin, the most interesting on radio today.
When did 'centrist' come to be used to describe pretty much anyone who's not a bit of a dick?
Can publishers just please stop it with all this video? I just declared bankruptcy on the long list of videos I told myself I was going to watch. Probably only about 20% of links I click are worth my time. With videos, there is no good way of scanning to find out. You just have…
I've gone a bit over the top baking a cake for a charity coffee morning at work tomorrow. I didn't fancy making muffins or anything simple, so I have ended up making something way too elaborate. I won't be able to finish it until about 1am. 😩
Please excuse the shakiness here while I experiment with new ways of blogging, and explore different ways of syndicating to other platforms.